Ethan Frome, Sydney
8 March – 23 March 2025
Harry de Vries & Jennifer Mathews, Toccata, 2025, laser cut aluminium, PET plastic, piano hinge, hardware, 25 x 26 x 50 cm
Harry de Vries & Jennifer Mathews, Passacaglia, 2025, laser cut aluminium, silicone, pigment, approx. 50 x 40 x 25 cm
Harry de Vries & Jennifer Mathews, Fugue, 2025, laser cut aluminium, silicone, pigment, approx. 50 x 37 x 25 cm
Harry de Vries & Jennifer Mathews, Fantasia, 2025, laser cut aluminium, PET plastic, piano hinge, hardware, 25 x 28 x 50 cm
Photography by Felipe Olivares.
Co-curated by Rayleen Forester & Nanette Orly
ACE, Adelaide
11 November – 16 December 2023
Text by Sasha Grbich
Waiting to get cooked, 2023, ceiling tiles, LED light panels, pine, dimensions variable
Austerity meal (rice on a needle with beetroot), 2023, stainless steel, photographic print on adhesive vinyl, aluminium, 120 x 99 x 26 cm
Under easy chairs, 2023, stainless steel, resin, hardware, 138 x 160.5 x 46 cm
Starch cross, 2023, stainless steel, photographic print on adhesive vinyl, aluminium, 132.5 x 100 x 6.5 cm
Photography by Sam Roberts. Project supported by Arts South Australia.
Coercion Cradle
Curated by Oscar Capezio
Al Fresco, Canberra
14 – 24 October 2023
Catalogue with text by Oscar Capezio
Photography by David Paterson & Oscar Capezio. Project supported by Arts South Australia.
Staple
Laila, Sydney
19 May – 3 June 2023
Text by Audrey Pfister
Egg and hammer cabinet, 2023, stainless steel, photographic print on adhesive vinyl, acrylic, fluorescent light, claw hammer heads, 114 x 135 x 52 cm
Starch cross, 2023, stainless steel, photographic print on adhesive vinyl, aluminium, 132.5 x 100 x 6.5 cm
Tunnel vision, 2023, stainless steel, photographic prints on adhesive vinyl, acrylic, aluminium, 41 x 47 x 6.5 cm
Austerity meal (rice on a needle with beetroot), 2023, stainless steel, photographic print on adhesive vinyl, aluminium, 120 x 99 x 26 cm
Photography by Jessica Maurer. Project supported by Arts South Australia.
Curated by Isaac Christie & Adrian de Vries
MILK Gallery, Melbourne
15 September – 29 September 2022
The extreme, 2022, stainless steel, photographic print on adhesive vinyl, aluminium, 118 x 38.5 x 3.8 cm
The sun ceases to give without receiving
Kings Artist-Run, Melbourne
11 August – 3 September 2022
Text by Tara O’Conal
Crawl space, 2022, laser cut stainless steel, photographic prints on adhesive vinyl, acrylic, LED lighting, stained glass, 80 x 140 x 70.5 cm
Extreme Mating of a Pugnacious Dreamer
with Alexandra Ragg and Alice Ramsden
TCB Gallery, Melbourne
20 July – 7 August 2022
Text by Dean West
Illumination in the worn aisle, 2022, stainless steel, aluminium, photographic print on adhesive vinyl, 90 x 120 x 3.8 cm
Full documentation via KubaParis
Jennifer Mathews and Mia Middleton
Haydens Gallery, Melbourne
27 March – 1 May 2021
Glancing chair, 2021, steel, stained glass, 140 x 70 x 110 cm
Webway, 2021, installation view
Water-bear, 2021, Tasmanian oak, stained glass, Oregon timber, transparency print, aluminium, 22.6 x 21.3 cm
Butterfly, 2021, Tasmanian oak, stained glass, Oregon timber, aluminium, 22.6 x 21.4 cm
Diamond, 2021, Tasmanian oak, stained glass, Oregon timber, aluminium, 22.5 x 21 cm
Abnormal load, 2021, Tasmanian oak, stained glass, Oregon timber, transparency print, aluminium, 22.5 x 21 cm
Flower, 2021, Tasmanian oak, stained glass, Oregon timber, aluminium, 22.5 x 21 cm
Pillow, 2021, Tasmanian oak, stained glass, Oregon timber, transparency print, aluminium, 22.5 x 21 cm
Untethered, 2021, Tasmanian oak, stained glass, Oregon timber, transparency print, aluminium, 22.5 x 21.3 cm
Lying cow, 2021, pine, stained glass, photographic print, 87.5 x 122.5 cm
Full documentation via Haydens Gallery
Disneyland Paris, Melbourne
Humble, 2020, installation view
Dolorifuge (solace), 2020, stained pine, resin, photograph, 14 x 14.5 x 4.2 cm
Forbearance, 2020, stained pine, resin, photograph, 13.5 x 14.2 x 4.2 cm
Two pigs, 2020, stained pine, resin, photograph, 13.8 x 14.2 x 4.2 cm
Snout, 2020, stained pine, resin, photograph, 14.5 x 15 x 4.2 cm
Nature could break man, but she could not humiliate him, 2020, stained pine, resin, photograph, 13.4 x 14.3 x 4.2 cm
Afield, 2020, stained pine, resin, photograph, 14 x 14.4 x 4.2 cm
Humble, 2020, installation view