c3 contemporary art space, Melbourne
21 August – 15 September 2019
Soup, 2019, wood, faux onion and mushroom, 26 x 7 x 19 cm
Two halves of a perfect whole confronted each other at the perfect moment, 2019, window, bleach-dyed cotton, biscuit packaging, 49 x 32 cm
The field wore a complexion without features, 2019, wood, cotton, lavender scented moth balls in packaging, stainless steel, 12 x 16 cm
The ministration of the temporary outlasts the ministration of the eternal, 2019, wood, chicken wire, delicatessen paper, 61 x 37 cm
What is repressed but remains anyway, 2019, Jarlsberg cheese, axe handle, 41 x 16 x 6 cm
The serpent hisses where the sweet birds sing, 2019, Ipomea indica, butternut pumpkin, cotton flowers, dimensions variable
Throwing pearls to the pigs, 2019, wood, lavender scented moth balls, plastic pearls, wax, fabric, 37.5 x 30.5 cm
Dinner, 2019, wood, window, cabbage leaves, 65 x 45 cm
Dessert, 2019, window, fabric, cabbage leaves, 90 x 61 cm
The untimely churn, 2019, wood, steel, cheese cloth, wax, delicatessen paper, 54 x 46 cm
Pheromone trap, 2022, installation view
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Curated by Jemi Gale
George Paton Gallery, Melbourne
4 September – 13 September 2019
The glow on the cheek of yesterday, 2019, door, cat flap, cotton flowers, butternut pumpkin, 210 x 96 x 20 cm
Disinfested estate
Tributary Projects, Canberra
29 May – 9 July 2019
By means of the law of limitlessness, 2019, wood, paint, 93 x 170 x 57 cm
Into a hole of life’s wall, 2019, wood, window, tablecloth, wax, blackberry thorns, 54.5 x 52.7 cm
Serve to serve again, 2019, wood, glass block window, delicatessen paper, 25.5 x 25.5 x 10 cm